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Filtres

Chia Amisola https://thesoundof.love/ ↗

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Crawlspace is an ongoing project to cultivate and platform artistic and poetic applications of technology. We currently publish interactive and multimedia writing and art that experiments with the expansive freedom the web offers.

HTML Review(who?↗)

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Poem Club

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Crawlspace

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kakakompyutermoyan ↗

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reading machines

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https://the-personalized-web.digitale-grafik.com/karla/

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Anna Garbier & Lan Zhang Today, we saw HYPERTEST

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A travel log that documents a day's trip across the image-filled web. The log's contents were generated using a custom Chrome extension that looks for alt text - short descriptions that accompany many of the web's images. While alt text typically lives "behind the scenes", the log flips the concept inside-out: it brings the text to the surface, and reveals alt images only on inspection. This is the first part of our ongoing extension-based experiment, playing with forms and materials of the web.

esther bouquet matt jacobson shelby wilson max neely-cohen - whispers from a soft garden ↗

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hi, it is nice to see u here ~ the illustration of the garden holds, tends and grows three poems: "i imagine what it would be like", "it was a beautiful morning", and "how can you be bad at gardening?"
it is not about how fast you can read the entire poem, it is more about the experience of discovering it bits by bits, drawing it little by little, with patience and care, just like you would trim off bushes in a garden to shape them.

La Fielding AVENGE HER AT ALL COSTS ↗

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From my gxrlhood journals to a branching choose-your-own-adventure story ~ digital poetry is so collaborative and unconstrained in form. “…writing as weaving, drawing as translation, teaching as hospitality, commerce as social experiment and publishing as a dandelion spreading its seeds. By constantly entering and exiting each medium, she strolls against the category of things, the labor division among people” [Chang Yuchen]

BOMB Magazine | Chia Amisola by Meg Miller ↗

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"I like to think that the browser as a subject is dual in that I embody the browser as an interface to the web and the audience treats me as the interface. When I perform, my screen, terminal, and operating system are all exposed, so my personal computer becomes a public stage. "
"Even when someone is experiencing my work alone online and at home, I demand visibility. It fills your screen with windows, overwhelming the desktop. Oftentimes secondary metadata like title attributes and tab names reveal narratives, asking the reader to attend to the screen. I call these works “internet ambient,” where I’m interested in reconfiguring our attention to the web: What is visible, invisible, foregrounded? How does poetry emerge from the landscape of the browser? The computer doesn’t disappear; the gap between our body and the computer does."

Chia Amisola - INTERVIEW -A Website Can Be A Poem ↗

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Chia Amisola - Website Naming ARTICLE ↗

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"A website is a site of potential. A domain isn't only a name, it is an invitation to start something new. Websites have always functioned to me as translations and fragmentations of myself, ways to give form to myself through constantly re-situating and re-contextualizing across the internet. The act of construction is a practice of making the self (rather than just a re-presentation): filling a domain is assembling a new body for the self, with the site as an extension of the body, or a distillation and compression of it… Conscious of how being online is intertwined with distribution, presentation, marketing, but never going without making. If names are nothing and naming is everything, the website is the perfect medium in which I carve space, take space, and make space… "
"As I grew older, my domains began to take on a realness (chiaski.com, chia.design, chias.website, chia.audio). I was interested in how my name alone could be as vast a container as my earlier website names that leaned towards my interests and ambiguous provocations. "

CHIA AMISOLA — Himala LIVESTREAM 5 hours ↗

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Chia Amisola- Website-popups- We Are Only Moving Towards Each Other ↗

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Chia Amisola, - VIDEO -We Are Only Moving, website performed during (If you knew me would you love me?) A performance of the browser ↗

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Establishing secure connection... ↗

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“Establishing secure connection...” is a website composed of fragments of posts filed under the “missed connections” section of Craigslist. missed connections is a place where the shy, lonely, and atomized go to plead with the universe to grant them just one more chance at connecting with the beautiful stranger they cannot bear to imagine a life without. These desperate, melancholic voices presume that union with the other will make everything okay again. When they post, they’re feeling lucky, to borrow from Google. I’ve mined particularly poetic fragments from missed connections, sourced from the Craigslist branches of random cities. They flood the screen upon page load, as if typed by their authors, each at a randomly generated speed, inevitably overlapping. Yearning is cacophony.
“If you’re feeling lucky, you can click the button and three fragments will self-select at random to — in the words of the Internet — establish a secure connection in the form of a poem. If you don’t e-mail it to yourself, you lose it forever (think of posterity, don’t make the mistake the authors did). If you don’t like how things turned out, you can always start over. ♡”

Everest Pimpkin - If Jupiter had turned into a Star (Taper #2) ↗

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"If Jupiter had turned into a Star" is a small code-poem, compiled out of text scraped from astronomy powerpoint lectures on binary star system formation. It looks at our sun's twin, a star that (depending on who you speak to) is utterly imaginary, never reached critical mass and remained the gas-giant planet Jupiter, or did once form and is now somehow lost irreparably to the cosmos.

Everest Pinpkin - Shell Song ↗

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Everest Pipkin’s Shell Song is an interactive audio-narrative game which explores the concept of deep-fake voice technologies and the datasets that go into their construction. By considering physical and digital bodies and voices, it asks what a voice is worth, who can own a human sound, and how it feels to come face to face with a ghost of your body that may yet come to outlive you. The piece reminds us that data is people, both in representations of data that is collected but also tools built by people to collect this data.

Everest Pipkin - Screen Walk VIDEO ↗

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SCREEN WALK WITH EVEREST PIPKIN 01 FEBRUARY 2023 6 PM UK TIME / 7 PM CET Stemming from the concept of Wikipedia races (and a childhood spent playing invented hyperlink games), Everest Pipkin will lead a collective walk and lecture through Wikipedia articles. Focusing on ideas of memorials, the networked image as marker, and the function of memory and remembrance on a collectively edited internet, this lecture will context-drift through Wikipedia itself, forming a web of lateral connectivity between topics– just like every 3 am rabbit hole that leaves you, blinking, the next morning at a window full of tabs and a browser history dense with searching. Broadcasted live on Twitch More info: https://screenwalks.com/

Everst Pimpkin - soft corruptor ↗

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an unfolding memory error

Chia Amisola everythingi.love ↗

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GITA HASHEMI hyper-nomadic textual journeys - website ↗

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"Hypernomadic Textual Journeys is a web poem by Gita Hashemi at the intersection of writing and exile."

Hamid Yuksel- Website -Mono-Drift Narratif ↗

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Jackie Liu i feel so much shame ♡ and it comes up constantly ↗

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i feel so much shame is a browser-based interactive narrative made from scanned Risograph prints. Inspired by Risograph animation techniques, it offers a meditation on shame and desire as told through interactive and animated buttons, hyperlinks, inputs, and background gradients made embodied and material, with each and every moment of the website existing in printed form.
Through a laborious process of printing, scanning, and realigning over 700 images and making them interactive with HTML, CSS, and JavaScript, the making of the piece–in all of its effort, repetition, and imperfections–also becomes one of its core realizations.

Digital creative work on Crawlspace ↗

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The content of this piece was written while playing Hyper//Echo in its final days of being online, and reflecting on the nature of the archive and digital ephemera. The first version of this piece was built using nested folders on my laptop and a tool called "tree" (https://gitlab.com/OldManProgrammer/unix-tree) that creates a nested visual of your folder heirarchy in Terminal. I was heavily inspired by Melanie Hoff's course on Digital Love Languages (https://lovelanguages.melaniehoff.com).

URL Poetry Club ↗

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It is a mix between concrete and found poetry. It is a play on naming, meaning and discovery. It is a collection of five poems I wrote using domain names of websites.

Raphaël Bastide wiki fungal page ↗

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"Fungal is a homage to Wikipedia, one of the greatest website of the World Wide Web. This collaborative encyclopedia is now 21 years old, and I am still fascinated how it changed our relationship to knowledge."
"It also represents a comforting example of what humanity can do: collaborating voluntarily on the largest knowledge project in our history. I consider Wikipedia being the descendant of Enlightenment’s encyclopédistes and free software movement, and I think such project made by the people, for the people are beautiful remains of the early Web’s utopia..."

Rory Green - The Lovers – Going Down Swinging ↗

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Rory Green – On meeting places ↗

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Written for Going Down Swinging, December 2022. Spiral nebulae graphic from James Jeans 'Problems of Cosmogony and Stellar Dynamics' (1919). Photo of author with hand raised was taken by Kristen Daly. Pizza images sourced via Google Images. Screenshots taken by author from Twitter and The Verge websites. All other images taken by author.

Rory Green - website crush choreography multiple choices ↗

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the weird dance that happens when you have a crush and are trying to figure out what to do about it

Tiger Dingsun - FONT ↗

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Corpus is a text weight typeface based on 'Beijing Comrades,' an erotic gay novel first published anonymously in China on the Internet in 1998. Its steep serifs and supple curves evoke the the danger and allure of homo-romanticism in the midst of China's rapid economic development.

Tiger Dingsun - I Never Believe It Until It Happens Again ↗

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Tiger Dingsun - SAME IMAGE ↗

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A series of 18 sketches that explore different ways that text, narrative, and poetry can be embodied and performed on the web. Exhibited at Typojanchi 2023 in Seoul, Korea.

Tiger Dingsun Its Nice That ↗

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“The thing that excites me most about the web as a medium is that distribution and publishing is built in. The web is the primary medium of contemporary life. So many aspects of our lives have moved online.”
“The way that I encounter text and literature nowadays is all online, through blogs, Twitter, fanfiction, forum posts and I’m sure that’s true for a lot of people. I feel a creeping sense of dread, then, around the increased regulation and monetisation of online platforms.”

Tiger Dingsun Subdivision (American Drift) ↗

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VIDEOGAMES - don't be scared ↗

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Why aren’t there more websites about love? ↗

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